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'Flow' won Bronze
at Canon Digital Creators Contest 2002 (CDCC).
Joshua Davis, one of the judges from the Web
Division of the CDCC turned out to be one of the
judges for the Net Excellence division at the Ars
Electronica. He was kind enough to give 'Flow'
honorary mention at Ars as well.
Normally
winners of the Net Excellence award do not get
invited to attend the festival. However, when I
presented an idea to show 'Flow' in an elevator to
the festival committee, this was met with much
applause. The Ars Electronica Center (AEC) had
plans of creating a new elevator to connect the
ground floor to the cafe on the top floor. This
was a perfect cinema space for the piece, as the
elevator would not stop at any floors in between.
'Flow' features a man moving vertically in space -
more than fitting to view in an elevator. The
elevator version was to be called 'Flow in a
Lift'.
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 See 'Flow' at: http://www.unsound.com/flow/
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The plan was to mount
projectors on the top and bottom of the elevator
cabin, and project 'Flow' onto the shaft wall 2.5
meters away. The cabin walls are made of glass,
allowing for the people inside to watch the
projection as they ride the elevator. There will
be 'Interaction Buttons' (possibly the world's
first) on the control box, allowing for
interaction with the piece. Since the elevator
trip was 15 seconds, 'Flow' had to be cut into
smaller segments, and the interaction simplified
to mouse clicks
only.
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A
serial cable is attached to the control box of the
elevator, located on the top floor. This allows
for the PC to communicate with the elevator, and
in turn allowing for the people riding the
elevator to interact with 'Flow.'
Thanks to
the impeccable programming by the Ars Electronica
Futurelab, the lift had no glitches and 'Flow' ran
with no problems whatsoever. Here are two videos
with a glimpse of what to expect from 'Flow in a
Lift':
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So finally 'Flow in a
Lift' is finished! It will be shown for a year,
possibly two. To top it off, 'Flow' was used on
the cover of the 'Cyberarts' publication as well
as the Cyberarts posters throughout the
event.
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What had started as a
meek submission to the Canon Digital Creator's
Contest snowballed into a place into the largest
media arts festival in the world. Thanks to all
that helped make this happen. Please drop by the
Ars Electronic Center to check out 'Flow in a
Lift' if you are ever in Linz.
(Photos by
Gil Kuno, Sabine Starmayr, Justin Manor, and
Pascal Maresch.)
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 A photo of the completed elevator
(rear ground floor entrance of the Ars Electronica
Center.)
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